Wednesday, December 30, 2009

THIS YEAR'S CARD '09



















So this year's card almost didn't happen. With the fall season came the recovery of my knee, which seriously prevented me from doing a lot of activities like teaching, painting, shopping, driving, bending over, sitting on the throne, showering and just about anything else other than laying in bed (and even that wasn't easy). I wont go into here, but post surgery things are finally healing up and I'm getting my muscle tissue back into shape again. If you want to know about ACL's hit me up, I know all about 'em and I can refer you to one of the best orthopedic surgeons in the Bay Area! (Click image to see larger)...

All that aside, I didn't get to my shopping or card making until very late. So I thought that this year I would do a drawing or sketched out idea, with the intention that next year I would paint it. This would show my process a bit and give you something to look forward to next year. So here it is, and I'm sorry to all my good friends out there who didn't get a printed card in person or through the mail but at least I can share it with you here. Happy Holidays!

Imagery and Artwork: ©Copyright Trey Gallaher

Monday, December 7, 2009

FASHIONISTA































































Images: ©Copyright Trey Gallaher

Wednesday, October 28, 2009

A GOOD WEEKEND

























Last weekend was open studios for San Francisco's SOMA district, and Friday night was a terrific opening night for the "Oddists" studio where I was exhibiting. I work out of this studio almost weekly for life drawing sessions and painting and my fellow artists asked if I would show with them. I was honored.
















The four piece jazz band kicked off about 7:30pm with a number of standard bossa nova tunes to set a relaxed comfortable mood. The wine and cheeses were laid out, and people began showing up in numbers. The walls were hung thickly with works from eight different artist's exhibiting in the large studio located in the historic Odd Fellow's Building on Market Street and 7th in the heart of San Franciso's downtown.






























Many friends and visitors were in attendance and a fun time was had by all. It is truly one of the great moments for an artist to be surrounded by supporters and onlookers who have questions and experiences to share of their own. The art becomes a place to build bridges between people and their lives. Sometimes the art finds it's way into a new home or sometimes just acts as an ice-breaker for a new friendship or an exchange of ideas.

From the creative side you begin to survey the body of work that you've been working your ass off on as it resonates (or not) with audiences. New strategies begin to formulate as you see both your victories and your failures pass with a glance. You begin to see how what was once a small uncertain idea you started with a year or two ago, has now manifested itself throughout your various works and grown beyond where it started. Sometimes it grows into something new, sometimes it doesn't, but open studios isa special place for artist's to see if the work they are producing is reaching it's potential. A chance to directly connect to audiences, outside of the sometimes intimidating gallery.

Artists are truly appreciative to just hear questions, or comments, good or bad about the work they are doing. It is a lonely road for them and every persons' response is valid and collectively adds to a framework or strategy. Sometimes a piece is adored and sold, sometimes it is simply walked past in the blink of an eye, but in the end, every artist has to listen to what their audience is responding to and to find the courage and strength to continue to dig down deep and explore, even if it means accepting failure.

This may not seem like much effort to some, but to the artist it is everything you have, it's part of your genetic calling in life and you spend countless hours pursuing it. It can mean a great deal when someone takes the time to ask about your work or express their feelings in response to your work. It takes dedication and courage to pursue one's dreams and to not give-up. Open studios is a time celebrate that effort and to begin a new.

A special THANKS to my fellow ODDISTS for including me in their exhibition. Please take the time to look them up.
Richard L. Perri
Stephan Crawford
Tom Crawford
Randall John
Paolo Salazar
Aladin C. Stadlin
Kellie Peach Nash


A SPECIAL THANKS TO:
Wayne Jiang
Patricia Delich
Steven Kendel
Shan Senaratne

for whom without their help, I would have missed this opportunity on account of a gimped-up-knee. They are life savers.

Photos: ©Copyright Trey Gallaher

Thursday, October 22, 2009

OPEN STUDIOS: FALL '09















I am participating in San Francisco's Fall OPEN STUDIOS this weekend Oct. 23,24,25 2009. Come by and check out my (recently) GIMPED-KNEE and keep me company as I air out the paintings and drawings. Maybe find something nice to take home for a great price. I will be dropping prices like bombs on work that's GOTTA GO to make room for new stuff comin! I am showing with a group of artists I frequently draw with at their studio space in the ODD FELLOWS Building located at 7th and Market Street. The band Just Freinds will be performing at our opening reception this Friday night Oct. 23, 2009 at 7pm. Doors will be open for the remaining weekend Saturday and Sunday from 11am-6pm. Hope to see you all there!

ADDRESS: 26 7th Street, San Francisco, CA 94103 #202 2nd floor

Sunday, October 4, 2009

JOURNAL ON THE WAY
















I'm in the closing pages of my next journal I'm calling "HUMMINGBIRD" that has been in the making for at least three years now. Here is a little preview of some of the images.






















































If you are interested in seeing more of my journals you can click --> HERE

Images: ©Copyright Trey Gallaher

LAST DAYS OF SUMMER


















The air has changed and so have the seasons, Fall is on the way. I caught this evening sky in Carmel a couple of nights ago... breath taking!


Image: ©Copyright Trey Gallaher

Saturday, October 3, 2009

FRIDAY NIGHT WHITES

















Friday night I busted out ten new canvases and papers and prepped them or upcoming paintings. I love this part, almost as much as the finishing painting. Every stage has its charms, but seeing all the white space is exciting when you think of the potential that lies ahead.










I worked for pretty much most of the evening and into the night, but when I was done it was a beautiful clean sight. All that white under the lights. I paused for a moment to enjoy the calm before the storm, turned out th lights and went to bed. The clock read 4:10am.
















photos and movie: ©Copyright Trey Gallaher

PROPS TO MY PAINTING PEEPS















Just wanted to throw a BIG SHOUT OUT to my painting people this last summer quarter at the Art Institute of California, San Francisco. It was a tremendous quarter and as usual you all showed up and kicked butt! There were some real gems that were painted this quarter and I just want to send out a big THANK YOU to you all for working so hard, learning so much, meeting those deadlines and producing some great work that made me proud! I wish I could show them here. Maybe we could try and get a show together in the library or something??? (I'll have to work on it).

The other class I wanted to send a warm THANK YOU out to was my Color Theory class, my FIRST Mid-Quarter Start class (meaning started midway through the existing quarter). It was intense at times, a little experimental, and like that family car-drive across country on summer vacation (insert movie soundtrack for Vacation), we made it and covered a lot of powerful and useful ground. You all made it fun for me and fun for each other and it was truly a pleasure watching you all in action, THANK YOU! You too made me proud!

Saturday, September 26, 2009

PALACE OF FINE ARTS

















I finally finished this a couple of weekends ago. I had actually started it almost a year earlier and was waiting to get back to the right season and sun. We are finally heading into the fall season now (our best season for weather here in San Francisco) after a looooong extra-foggy summer. Clear, crisp beautiful days... I can't wait to get out there again and capture those cool California colors and "blue sky of perfect lost purity" as Jack Kerouac describes about San Francisco in his story The Railroad Earth. Soon the pumpkin-spice latte's will be everywhere in the city, a feeling of coziness, staying close to home, early evening sunsets and the fall "open studios" will blanket our prosperous and creative city. There is no place I would rather be!

Image: ©Copyright Trey Gallaher

Wednesday, September 23, 2009

NIGHT AT THE ROXIE


























Tonight was the Animation Festival for the Art Institute of California where I teach, held at the Roxie Theater in the heart of San Fracnisco's Mission district. It made me proud to see the work of my students on the big screen. Our program is growing and getting stronger with each quarter.

Just a couple quick pics of the poster I designed for the Seven Deadly Sins competition that was part of the festival. The original design can be seen on my website. They liked the illustration so much, they used it again for the Festival poster and promotion too.

















Original Design --> HERE

Photos: ©Copyright Trey Gallaher

Tuesday, September 22, 2009

THE PASSING OF A LEGEND

I am saddened to hear of the passing of a great legend in illustration...

Bernie Fuchs (1932-2009)

"Thank you Bernie for all the wonderful pictures and inspiration. You leave behind monstrous shoes."

Read more about Mr. Fuchs at the Washington Post--> HERE

Friday, September 18, 2009

FORGOTTEN DRAWINGS

























So recently I was cleaning up stacks of drawings and papers from under my bed (my temporary archive)... and I came across some drawings I forgot I even did! WOW... talk about feeling old! Ok, ok, old is relative but relative to my memory and life... I'm older than I have ever been before... and when you completely start forgetting something you spent some time on (like your ART), well it's time to quit trying to remember and just enjoy the bliss that goes along with being "out of touch".

The drawing shown above was a piece I did for myself when I was starting to use more pastels in my illustrations and I was experimenting a bit with the textures I could create. I was toying with this idea as a series for a while and loved the feeling I was getting.

I first saw this one. Then it started to come back... "Oh yeah", I did these with this friend of mine Tami when we were hanging out in Stern grove for the music in the park one time... three years ago! Again, where does the time go???












Tami is seen here with a really great hat I remember she was wearing. It was a fun afternoon in "The Grove" for the yearly concert in the park series they have.

Anyway, I just felt I had to share with you yet another way to experience time lapsing, in fact floating right on by while you are not paying attention.






Your art can catch you slumbering with a sobering and detailed reminder of just how much you are "losing it" as you think to yourself, "I have no recollection of drawing those lines on that piece of artwork that has my signature on it and is obviously drawn in my style..."??? YIKES!

Usually drawings make people and events remain longer in my memory and with more detail. And I guess they did in this case too, but only after I stumbled across them in a dusty old portfolio. Maybe I'll go look for more buried treasure and memories.




Images: ©Copyright Trey Gallaher

Saturday, September 12, 2009

SAN FRANCISCO BAY BLUES

Here is a little late-night "ditty" for ya off my Sony Ericsson phone... after an all-night jam session with my buddy Wayne Jiang following his exhibition at the Sanchez Art Center in Pacifica California. It was a fun night. Enjoy!



Video: ©Copyright Trey Gallaher

Friday, September 4, 2009

PLEIN-AIR DRAWINGS

















One of the things I love doing on weekends and vacations is grabbing my pastels or paints and heading out on a hike. Two of my favorite things together, nature and drawing. It's a radically different experience working in the "field" than in the warm studio under the lights. Sometimes you just gotta get out and breath it! Being out in the "elements" while working can be both a nightmare and a complete full-fillment of the senses. Frustrating at times when the wind blows your pastels all over the muddy ground or that feeling of moisture creeping through your jeans when you've realized you've sat in "something"... or coming home two hours later to a burnt forehead and dehydration. Lesson here is, like a boyscout, be prepared with more than just your art supplies.

But it can also be those beautiful mornings on the California coast, soaking in all those beautiful colors that are absolutely glowing! Capturing just a taste of the beauty that nature has to offer ranks up there with some of the finest of human experiences. Your senses are your guide, you are listening as you draw to the birds chirping, the couples walking by, or the gentle breeze through the trees. The smell of dew or moist salty ocean air can wake you right up quicker than the first sip of morning coffee! It's all working together, your eyes, your ears, your nose, your mind and your putting it down in real-time.

The time honored tradition of plein-air painting, refers to a manner or style of painting developed chiefly in France in the mid-19th century, characterized by the representation of the luminous effects of natural light and atmosphere. Strictly speaking plein-air paintings are executed out of doors and represent a direct response to the scene or subject in front of the artist. The impressionists like Monet and Cezzane were masters of observation from nature. I enjoy painting outdoors and in one complete sitting from beginning to end (usually about two hours). While the work is slightly less labored and looser, it usually captures a fresh and vibrant appeal unique from my other studio-based work.

Here is a little of how it works...

STEP 1: Getting set-up and looking at the world in front of you. Soak in nature's work first! Whoaaa watch the dog shit right there to your left... (What the hell people, pick up after your damn dogs!)
















STEP 2: Begin to lay in the drawing. Basic forms, lights and darks... oh and watch that perspective people! Where is that horizon line? Remember, there is only one.
















STEP 3: Start working in the colors, lights and shadows and all degrees of tonality in-between. This part takes the longest but truthfully is the most fun part. It's like mediation, you are concentrating and relaxing at the same time in response to the environment around you. You are living in it, co-existing with it. You are one with nature, the sights, the sounds, the vibrating colors... the hours pass...
















Get out there and try it people! You don't have to go very far to find that beauty. It's a great way to enjoy the weekend and learn a little something too. Don't be too hard on yourselves, it's about the feeling and experience and the results will get better with time. You'll take in nature in a whole new way, with an awareness of more than you might get from a casual hike or walk. Stop, listen, look, enjoy and even take home a souvenir from your experience. I promise you, you will remember your adventure more clearly.

Here are a few other excursions out.

The Redwoods Park in the East Bay.




















Cannery Row, Monterey.
















For more of my Plein-Air Drawings check out my website
click on Drawings --> HERE

Imagery: ©Copyright Trey Gallaher

RIGHT THROUGH THE HEART



Photo: ©Copyright Trey Gallaher

Wednesday, August 12, 2009

SEVEN DEADLY SINS





Recently completed this promotional poster for a school wide animation competition we are hosting for our animation students. A great topic that I was glad to get the chance to illustrate! Juicy subjects like this are an illustrator's dream!

Images: ©Copyright Trey Gallaher

Thursday, May 14, 2009

HUMMINGBIRD

















So if you follow this blog you might remember several months back my family and I laid to rest our eldest and most kindered spirit my grandmother Alice Gallaher. Her sweet face and impression has continued to linger gently reminding me that the time we have in this life is precious, to relish it and not take it or time for granted. Do what you have to today, be smart, but don't waste time in doing what is right.

I wanted to do a painting for my family to commemorate her long life in full rich color. I had done a drawing of her in black and white ten years earlier while she was still alive, but this one had to be in juicy, brilliant and celebratory color. A while back I had started painting in oils for my personal paintings and gallery work and have found them to be quite a learning experience, testing my last bit of patience while pushing my knowledge of the medium and painting that much further with stunningly rich results and depth. As an illustrator I have primarily worked in acrylics and water-based mediums for their versatility, interchangeability, cleanliness and faster drying nature that allows one to do amazing things with these modern mediums and with a faster turn around time (the name of the game if you are in business).

I have never been one to celebrate medium over the importance of content, but there is nothing like facing tradition straight in the eye and realizing that as much as you may have learned in your time and place, there is so much more to learn and appreciate that came before you, from great masters that have accomplished things long ago and with far less technology at their disposal. I realize the journey has only begun... yet again. Painting has taught me this about life too and so has my grandmother. Life is a journey, with many wonderful things to learn and learn again. All you have to do is open yourself up to it, take a deep breath, and soar.

"Remember to remember me, standing still in your past, floating there like a hummingbird" - Jeffrey Scot Tweedy, Wilco


Images: ©Copyright Trey Gallaher

Monday, May 11, 2009

SKATE THIS ART

















Well it was a packed house on Market Street last Friday night! The Market Street Gallery to be exact and everyone was in attendance to see a cool assortment of skate deck art that ranged from the out of this world to... "Is that Gene Simmons's tongue on that board?".


The Chronicle was there, the MOMA was there, and most of all the love was there for the Roaddawgz Homeless Youth Drop-In Center!

The silent auction started around 6:45pm and all eyes were on the look out for the favorites. The work was exceptional. This being my first skateboard show, I was thoroughly impressed with the diverse directions people took with their boards.



There was everything from acrylic paint, to wood carving, to even some interesting grip tape cut outs on the top!







There was the phallic to the sculptural to the scenic, and that is what truly made it interesting, variety!





This was definitely a great, fun, rewarding show that I look forward to next year already. The exhibit runs through May 31 so swing by and check out the show while it's up. You wont be dissapointed.










SKATE THIS ART HERE --> HERE

Images: ©Copyright Trey Gallaher

Monday, May 4, 2009

SKATING AWAY



















A little history lesson here... I was a big skater as a kid back in the day. It was sometime around 1982 that I got my first skateboard. What a piece of crap it was... A "Kamakazi" was what it was called... The choice in those days of the Toys R' Us mass-produced variety was that.. or a Ventura skateboard (Michael J. Fox had one in Back to the Future Part I)... and well, in my book who could deny the Japanese style Rising Sun design that was on the bottom of the deck complete with copers, ribs and a skid plate...

A few years later (and a whole lot more practice) I would ride a Santa Cruz Bullet... my first serious skate... a classic ramp style board complete with OJ2's and German Speed bearings... I skated the shit out of that board... I would eventually skate a Lance Mountain and many other thrasher decks through a skate shop in Fair Oaks California called the WHEEL ZONE... My brother (a better skater) was sponsored by Blockhead and was a fearless street-style skater. We were both complete with long bangs and ridges cut into our hair, and the Circle Jerks played on our blasters. We stood in awe of the likes of a young Tony Hawk, Mark Gonzales(Gonzo), Rob Roskopp, Christian Hosoi, and Lance Mountain among many others. Check this out.... http://www.youtube.com/watch?v=eZIIhgLhB0k. Here is another one http://www.youtube.com/watch?v=6p8fXhWBMlU&feature=related. The tricks were sad by today's standards. I gotta give props to the kids who have continued to push the tricks into gawd-knows what sickening combinations I've seen on You Tube!

Cut to twenty-seven years later and I was presented with the challenge to paint my own deck design on two different boards as an art-fundraiser for the Roaddawgz Homeless Youth Drop-In Center here in San Francisco. The reception is THIS Friday night May 8th at 1554 Market Street, San Francisco, CA 94102. The show opens Monday the 4th and runs thru the 31st.

Check out http://www.skatethisart.com/ for more details, and be sure to come by Friday night 6-9pm and check out all the fresh decks that are on display and up for auction. In the meantime enjoy these process picks of my own. Started with a sketch and worked up my finished decks in acrylics. I designed them go together as a theme but they could be displayed separately too. They are called "Heaven and Earth (Ascending and Descending)"


The finished pieces (not shown here) are both on display and up for sale at the show, so swing by and check them out. Hope to see you there on Friday! Skate or Die!














SKATE THIS ART website --> HERE

Images: ©Copyright Trey Gallaher