Friday, February 13, 2009

ALICE'S WONDERLAND

















My grandfather William G. Gallaher was the painter in our family, and though I never had a chance to know him in my adult life, I have always felt an intimate connection with him through his work (perhaps the reason I became a painter). But it was my grandmother that shared with me his many talents that remained hanging in her house. Growing up I would spend weekends at my grandmother's little house, just hangin' out and discovering the wonders of her mystical property shrouded in oak trees and hideouts to be discovered.

Alice Gallaher was a grade school teacher in her day, who loved learning. My sister reminded me on the phone recently, how she remembers everything was always about learning with grandma. This struck me in a peculiar way, maybe because I too am now a teacher, and I began to be reminded of all the things she did teach me that I never really thought about but somehow still remember. The little things in childhood that we hold on to in a distant memory, almost a dream-like place. There were some very clear specifics too, like her mannerisms, the way she spoke, paused, breathed, hobbled along, hummed a crackly tune. They are the wonderful nuances that we carry very deep in our memories and hearts throughout our lives, and even after theirs...

My grandmother was a crafts person, she collected, always widdling away at something, some project, a book, some music on the piano, a church program. Never anything fancy, or even noticed, but steady, steady the way grandmothers are in our lives. Almost like she could spend hours alone just noodling away in her own little world, cozy and safe. I remember her always showing me her latest painted-china piece she had been working on, or digging through an old closet way in the back to find some little puzzle we could work on together. Letting me explore and discovering on my own.

Decades later I was poking through a bunch of my grandfathers paintings, documenting them, trying to make some sort of record of all of his work that is scattered throughout our family, when I came across this painting, not signed, and hanging in my aunt's house. My aunt was quick to remind me that this was a painting her mother had done, NOT her father. I was taken aback... "This?" I thought... "Grandma? I didn't know she painted too? This is good! Really good!". I kind of wish I could find more of her works like this, especially now that I'm really into the impressionists and painting alla-prima! (a painting term for immediate quick, thick, impasto painting technique).

Though this painting may never be seen on the walls at Christie's, I am proud of my grandmother's painting (one of the only paintings she ever did) and amazed at the many secret gifts she had, the many projects she was always chipping away at. It's funny how we often think we know somebody all of our lives, only to discover something brand new about them, something that we see in ourselves that explains our own behavior and interests. I look forward to learning more about my grandmother's many secrets as well as my own. I guess we are still working on that puzzle together.

Painting: ©Copyright Alice Gallaher

1915 - 2009 a.d.

























R.I.P. Grandma G.

Thank you for...

being easy going, peaceful and gentle with me
giving me your wide smile
being a good teacher
teaching me to play my first piano song (Silent Night)
having your doorbell and letting me ring it over and over
teaching me to love home-made whole wheat bread
teaching me to love almonds
teaching me about painting on china-ware
teaching me to love the great oak trees
teaching me to collect stuff and value the little things
giving me a sense of family
teaching me about my family
showing me my grandfather's paintings and telling me about him
making me feel safe
always giving me love and looking after me

I will miss you and your sweet smiling face,
I love you always...

Saturday, February 7, 2009

NEW YEAR NEW PAINTINGS

























With the New Year comes a new series of paintings I have begun. Last Year's SAGACITY series was a success and I continue to make new paintings in that series. But I have recently begun another venture that I am excited about... they are in oil paint. I'll be the first to admit I do not have a long tenure with oils (being an illustrator) but I am experimenting to find my method of using this bold and versatile medium. But let me say this, ITS FUN!!! This shot above is Easel #1, a piece I am doing in oil for a friend.

Mixing, mixing, mixing those oils. The colors are rich and deep. JUICY!!! I've been using Windsor and Newton's Artisan oils which I am finding really great. Being a mostly water based medium painter, these babies are great medium for me. They make clean-up hassle free, and are not nearly as toxic as using turpentine or mineral spirits. Just soap and water for clean up and they can be mixed with regular linseed oil or any other medium of choice... ain't technology grand! I've been reading a lot about these oils (water based), and they have been around since the seventies for professional printing, but have really begun to take off in the painting world over the last twenty years as a healthier alternative to traditional methods, while still delivering the rich buttery and deep color effects.




I've been prepping a bunch of new canvases and boards as well. I love painting on wood panel and have never been real fond of stretched canvases. Being a draftsman and a lover of drawing, the bouncy surface of canvases is like having sex on a springy matress, it can be wild, but not much control. But none the less I am doing a few on canvases too, mostly portraits.





Easel #2 features a piece I am finally getting back to after my SAGACITY show, and is part of a series of pieces I started a couple of years back and have been slowly building on.




On Easel #3 I'm finishing a piece that there was no more room for in the SAGACITY show at Sweet Inspiration last September. I really wanted to put this one in the show, but it didn't make it in time, and there wasn't any more wall space anyway. Almost done.




My boy Ti-Jean... Jackie Delouz... angelic skid-row bum... Kerouac, looking back at me from behind the clutter... never far from my thoughts! Great writer of sadness, savior of my soul, again and again always picking me up and putting me back together, making strange but truthful poetic sense of all this madness we call life.





















Pickin a few Dead tunes out in-between paintings. For me, my guitar and harmonica are never far from my easel. To me music and painting go together, like illustrations and literature. Painters and musicians, musicians and painters. Most painters I know also play music, somewhere in there lives.






Photos: ©Copyright Trey Gallaher

Monday, January 5, 2009

JOYFUL FACES

























Among the shopping, traveling and festivities I had a blast finishing this portrait assignment over the holiday break. I've always loved the happiness that completing a portrait brings. Capturing a person's likeness is a challenge uniquely set-aside from other forms of figurative painting and drawing. People are often most critical and self-editing of their own appearance and the trick is to not just capture their outward physical appearance but to make it express what they want to see in themselves. This involves a deeper investigation than just the cold hard reality found in a casual photograph. But if you get it right, there can be no greater joy or sense of pride for an artist even if it is only an audience of one.

Image: "Momma Chu" ©Copyright Trey Gallaher
conte crayon and gouache on toned paper

Thursday, December 25, 2008

THIS YEAR'S CARD

























For almost fifteen years I have been illustrating my own Christmas cards to give to close friends and relatives. I print and assemble them myself and usually end up delivering them by hand. This years card is from a drawing I did over three years ago. I rediscovered it while going through some old drawings a few weeks back. I had ditched this drawing last minute for another piece I had going at the time. This piece was drawn from Union Square San Francisco watching the Christmas tree trimmers go through their ritual of decorating the city tree.

I remember the shapes of the decorations, the tree, the crane structure and the composition looking interesting to me. I remember wanting some color in it but not wanting it to feel like a painting, but more like a drawing. It's funny, sometimes when I look back at old work, I get a fresh view of it, an almost detached feeling (or seperation) from ever having done the piece, and it allows me to enjoy it all over again or in a new light that I missed before.

Images: ©Copyright Trey Gallaher

MERRY CHRISTMAS EVERYBODY



Merry Christmas, Happy New Year and a BIG thanks for all your love and support over the last year. It was a great year filled with a lot of new exciting work coming out of my studio. My Sagacity series was a big success and my show at Sweet Inspiration was a great kick-off. I received a lot of insightful feedback and already have plans for new additions to the series as well as future exhibitions. I'm now back in the studio again working on some new pieces for another new series. The upcoming year hopes to be productive. I'm also continuing to upgrade the website including some new sections and adding more work so check back. Be safe everybody and love one another... Cheers!
















Photos: The family pooches by the fire (Klaus top), (Klaus, Kurt and I below)
©Copyright Trey Gallaher

Tuesday, December 16, 2008

ALL YOU HAVE ARE YOUR DREAMS



It was almost fifteen years ago that I painted this humble little scholastic piece for a Christmas card to send to my family and friends back home (usually to build sympathy for more money and food). I was months away from graduating from San Jose State University with my new bachelors degree in graphic design and illustration. I wasn't sleeping, eating, showering or shaving but pulling all-nighters to barely finish paintings before day-light and the end of the semester. I remember being filled with sweet anticipation, hope and a far-off dream of my future that propelled my classmates and I forward with such passion and determination.

Not much has really changed since those days. I'm still up all hours of the night, still making my illustrations and paintings and still dreaming of what I want to do with my work, but now I'm suddenly wondering "where has the time gone?" and that it really is true what they say that all we have are our dreams. It's not whether you became what you thought you would, made that money you struggled so hard for or became an over-night sensation but that you continue to dream for tomorrow. For this I am grateful, grateful for the people that believed in me and stayed by my side, listened and didn't let me give up. And now that I am a teacher, and watch my own batch of tired, sleepy-eyed, hunger-panged, dream-filled potentials drag their heels through the classroom door to make that one last deadline and critique, that I stop and laugh, a joyous laugh down deep at the vigor and determination of my own youth, the youth that still lives in me and that our dreams never really leave us but simply mold into something even more encompassing and more beautiful and that all we have to do is to live it, keep believing in it and to share it with whomever will stop to listen.

Image: ©Copyright 1995 Trey Gallaher

Sunday, November 30, 2008

ACCEPTANCE OF THIS FILTHY ROTTEN SYSTEM




















©Copyright 2006 Trey Gallaher
(page from Journal 6)

STOLEN HEART




















©Copyright 2006 Trey Gallaher
(page from Journal 6)

WHERE ARE YOU JACK




















©Copyright 2006 Trey Gallaher
(page from journal 6)